![HOPI POTTERY](hopipottery.jpg)
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lthough the three Hopi mesas have nine villages, First
Mesa and the village of Hano have dominated Hopi pottery since the 1890's. First Mesa
potters use Hopi's unique clay to make great quantities of some of the finest of all
pueblo pottery. Originally, Hopi ancestors traded yelloware from the 700's on, but under
pressure from Spanish, Apache, and Navajo, the wandering and trading diminished, and
pottery production had almost disappeared by 1800.
lthough some books date the beginnings of
contemporary Hopi pottery design to the fateful meeting of ethnologist J. Walter Fewkes
and Nampeyo in 1896, a trader by the name of Thomas Keam had potters reproducing archaic
pottery in 1880. Whatever the real story entails, the thirty-six year old Nampeyo
translated the ancient Sikyatki designs into innovative and beautiful symbols of her own,
thereby launching herself on a career that brought her celebrity until her death at
eighty-two.
eyond the many fine potters from the Nampeyo
Family (Annie, Nellie, Fannie, and from them Rachel Namingha, Dextra Nampeyo, and
Priscilla Namingha), there are a number of prominent Hopi families with a fine legacy. The
family of Grace Chapella, which includes Alma Tahbo, Mark Tahbo, and Ethel Youvella.
Another such family are the Navasie's which include Rainell Naha, Lana David, Dawn
Navasie, and the innovative Joy Navasie (Frog Woman) and Helen Naha (Feather Woman). Men
have also made their contributions to the beauty and excitement of Hopi pottery. Al
Qoyawaya, Thomas Polacca, Gary Polacca Nampeyo, Wallace Youvella, and Lawrence Namoki, are
but a few of the men who have carved a distinctive niche.
nd with each and every artist who emerges anew generation
after generation, the spirit touched creations communicate the miraculous, clay is wet,
shaped, and fired. And from the heart and hands of the artist, clay becomes pottery and
pottery becomes art.
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- Item# 0002P James Nampeyo, Hopi.
- Having been taught the skill from his grandmother, Fannie Polacca Nampeyo, James
has become well known in his own right. As you can see all his designs are old traditional
Nampeyo geometric patterns.
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- Size: 6-3/4" high by 10-1/2" diameter (Opening has
rolled lip neck).
Price: $3750. Mint Condition.
How to Order
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- Item# 0012P Dextra Quotskuyva Nampeyo, Hopi.
- Barton Wright believes that if "there is a single potter within the
Nampeyo family heritage whose artistic talent can be considered as outstanding as that of
Nampeyo, it is Dextra Quotskuyva". This pot has stylized variation in typical Nampeyo
Family pattern.
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- Size: 3-3/4" high by 4" diameter (extended rolled
lip).
Price: SOLD
Mint Condition.
How to Order
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